price dropped – 1997 FENDER CUSTOM SHOP JAZZ BASS – CUNETTO RELIC – JOHN CRUZ – ORIGINAL HARD CASE

Absurdly rare, these 60s rickenbacker 4001 basses are some of the most sought after instruments on the planet , and for a good reason.

Completely unmolested and inside the original case, this bass is something else.

Crushed pearl inlays, checkerboard binding , toaster pickup, horseshoe pickup, mono jack input , bigger headstock , reversed kluson tuners.

All features only available through the 60s and discontinued the following decade when production ramped up.

Apparently only 83 fireglo 68 4001 were produced and this is a perfect example of the craftmanship and attention to details of those days.

Phenomenal tone, great weight and really nice neck profile.

The original case has seen better days and has been over sprayed but it’s still there and that’s all it matters.

Partial trade alway welcome

Classic look for this 52 years old jazz bass, with a gorgeous 3 colours sunburst finish and black pickguard.

In really nice condition and all original, light and with the genuine pickup covers and case to complete it.

The neck is straight and frets in good condition, trussrod works and the tone is sublime.

Lovely dark rosewood fretboard with a great grain and those CBS big block inlays.

Pickups have a beautiful smooth tone and pots aren’t scratchy at all.

Great player and Collector piece

One of the nicest example from the first generation of the Fender Precision Bass. With a graciously aged butterscotch finish, it’s just perfection and plays beautifully as you would expect from one of these 51-54 Pbasses. Detlef Schmidt is the author of what’s considered the most accurate book about the first generation of the Precision Bass, he collected as many serial numbers as he could and this one is featured on his list. The neck has a great patina with the classic finish wear at the back, which is common to these early 40s and 50s Fender instruments. Flat head screw on tuners, neckplate and pick guard as supposed for these. Original covers still there and came with a tweed case that looks like may have been externally modified but looks all original inside, although is hard to confirm. Bass is completely original, with pots perfectly working as well as the black bobbin pickup and the original paper capacitor. It came in with a reissue pickup but the original 1954 black bobbin (which sounds amazing) was inside the tweed case and is now back with the bass and rest of the wiring is untouched. The finish has a gorgeous checking and looks like they patched a couple of extra screws holes (possibly a thumb rest) but they are barely noticeable. Bass is very light and resonant with an incredible sustain due to the string through the body. The pencil dates are unfortunately not legible anymore but the serial of this bass is present on the bridge and can be found on Detlef Schmidt’s book. These early models are becoming incredibly hard to come by and this one is a great example.