The M Series handmade bass guitars are where it all started for Stonefield® and they are now our highest spec’d instruments. Handcrafted in our New Zealand workshop, an M Series build begins by incorporating marine and aircraft grade laminates into a remarkably light weight yet very strong through-body core with a 34-inch scale length. From that point on, the array of woods and custom options are vast for M Series basses. Three-piece wooden bindings grace all M Series fingerboards, the bodies are created from a core of Fijian salusalu and an amazing array of topwood choices and a hand rubbed oil finish turns these boutique bass guitars into works of art. State of the art passive electronics with High, Mid and PRESENCE controls (all that control, no batteries required), floating wooden bridges and the remarkable Tomm Stanley™ Tuning System are all standard features on and M Series bass.

Super hard to find one of these , let alone in these condition and in Australia.

All original and with the original hard case, this bass is by many considered the best acoustic bass ever produced. Extremely rare as only a few hundreds of these have been made in the US between 1975 and 1987.

here is some specs The B-50 features a solid spruce top, mahogany sides and back, a mahogany neck, a rosewood fingerboard, and a rosewood bridge.

Country of Manufacture: USA

Case: Original hard case

Weight: 3.58 kg

String Height (Low String Side): 3.4 mm at the 12th fret String

Action (treble side): 2.5 mm at the 12th fret

Nut width: 41.4 mm

Neck Thickness (near the 1st fret): 22.2 mm

Scale: 780 mm (30.7″)

RADIUS: 305 mm (12″)

Fender Kingman Acoustic Bass In immaculate condition, with $400 extras and a professional setup. Just setup by my luthier, it now plays beautifully and with a very low action and a great tone. It comes with a hard case instead of the gig bag they normally come with. Also included are a Boss TU80 tuner and a Genuine Fender leather strap (RRP$200). This bass plays way better than any kinsman I have tried in store due to the professional setup, it’s just magnificent. Inspired by the iconic designs of Fender electric guitars, California Player acoustics evoke the west coast spirit of adventure and freedom, inviting musicians to explore their individual creativity and disrupt the status quo. Crafted with an X-braced solid spruce top and laminate sapele back and sides, the compact mid-sized auditorium body of the Kingman Bass produces a deep, punchy, and articulate tone and features a cutaway for convenient access to the upper frets. The bound nato neck is includes block inlays with a slim “C”-shaped Jazz Bass profile. It is an easy-to-play short 30″ scale length. Other notable details include open-gear vintage-style tuning machines for smooth, accurate tuning, a GraphTech NuBone nut and saddle for focused fundamental tone, and a Fishman Presys preamp system that allows detailed fine-tuning of the bass’s amplified sound when performing or recording.

One of the nicest example from the first generation of the Fender Precision Bass. With a graciously aged butterscotch finish, it’s just perfection and plays beautifully as you would expect from one of these 51-54 Pbasses. Detlef Schmidt is the author of what’s considered the most accurate book about the first generation of the Precision Bass, he collected as many serial numbers as he could and this one is featured on his list. The neck has a great patina with the classic finish wear at the back, which is common to these early 40s and 50s Fender instruments. Flat head screw on tuners, neckplate and pick guard as supposed for these. Original covers still there and came with a tweed case that looks like may have been externally modified but looks all original inside, although is hard to confirm. Bass is completely original, with pots perfectly working as well as the black bobbin pickup and the original paper capacitor. It came in with a reissue pickup but the original 1954 black bobbin (which sounds amazing) was inside the tweed case and is now back with the bass and rest of the wiring is untouched. The finish has a gorgeous checking and looks like they patched a couple of extra screws holes (possibly a thumb rest) but they are barely noticeable. Bass is very light and resonant with an incredible sustain due to the string through the body. The pencil dates are unfortunately not legible anymore but the serial of this bass is present on the bridge and can be found on Detlef Schmidt’s book. These early models are becoming incredibly hard to come by and this one is a great example.