| Brand | rickenbacker |
|---|---|
| Model | 4003 |
| Finish | jetglo |
| Made In | US |
| Year | 1988 |
| Body Material | maple |
| Condition | Excellent (Used) |
| Neck Material | Maple |
| Fretboard Material | Rosewood |
| Pickup Configuration | Single Coil |
| Pickup System | Passive |
| Number of Strings | 4-String |










PRICE DROPPED – 1988 RICKENBACKER 4003 BASS IN JETGLO FINISH WITH ORIGINAL HARD CASE
$4,500.00 $5,500.00
Immaculate condition for this stunning 1988 Rickenbacker 4003 Bass .
All original, comes with the pickup cover, case, strap and polish cloth.
Thunderous tone, heaps of sustain, low action and such a comfortable neck profile.
One for the collectors and players.
Related products
1963 Fender Jazz Bass in Sunburst finish – Pre CBS – With Original Case
From the 4th year of production, this 61 years old Fender Jazz Bass is just perfection. Great weight, amazing tone, super comfortable neck profile, coveted Brazilian rosewood fretboard and a stunning 3 tone sunburst finish, all topped by the original rare cream tolex hard case, which was only made for less than a year. The alder body is resonant and light, finished in a beautiful 3 colour sunburst where the red hasn’t faded and still nice and vibrant. The pickguard doesn’t have cracks or the common snapped horns and doesn’t show signs of shrinking. The original 1963 pots work without scratches and the black bobbin pickups sounds delightful. Straight neck with a fully functional trussrod and a nice and smooth profile , so comfortable to play. Pickups covers in great condition as the rest of the original hardware. One for players and collectors.
PRICE DROPPED – ORIGIN EFFECTS CALI76 TX-P COMPRESSOR WITH ORIGINAL BOX – 1 OF 160
One of the rarest and most sought after pedals ever made.
The Cali76 TX-P is not just one of the best compressor ever created, but a super collectible piece, only 160 of these exists.
This one is remarkable condition and comes inside the original box with matching serial number and manual .
Key Features:
• 100% Class-A discrete signal path
• Ultra-fast “FET” response
• Attack & Release presets
• Studio-grade “discrete” preamplifier
• Rugged VU-style meter
• Low-noise electronics
• Optimised for guitar but also great for processing recorded instruments
• 50 hrs from 9V cell in non transformer mode
• Traditional Through-Hole PCB
• 100% Class-A discrete output-amplifier
• Custom-designed transformer driving a pair of outputs
• Unbalanced instrument output
• Balanced line output
• Ground-lift function
• Signal-pad for DI (balanced output only)
• Gain-switch adjusts level through transformer circuitry, for increased saturation
• Voltage sensing circuitry shuts down transformer circuitry when powered from a battery or low-voltage supply
The Cali76 is a premium-quality, 1960s-style FET compressor, inspired by the legendary Urei 1176.
The idea behind this design was to bring the sonic properties of this revered studio-classic into the scope of the average guitar-geek…
The topology of the design was kept true to the original, whilst the actual circuitry was carefully condensed. In this way it has been possible to retain the much-loved dynamic- response of the original, whilst at the same time permitting a smaller, more stage-friendly format!
Origin have also included a studio-grade 1960s- style discrete preamp, to work as an interface between your guitar and the compressor.
The preamp provides gain as well as the optimum conditions for signal transfer.
The transformer output stage works in conjunction with the pedal to provide the user with additional tone-options and connectivity.
A custom-designed transformer sits at the heart of the output stage.
The core-size and material have been selected to contribute harmonics when driven by the Class-A, transistor-based, output amplifier.
The Cali76 is a great performance tool, but is by by no means limited to this task.
Recording guitarists will find the unit highly useful for post-processing drums, bass and vocals.
1961 Fender Precision Bass – Aussie Crawl, Renee Gayer, Jimmy Barnes , Ross Wilson, Kevin Borich
1961 Fender Precision Bass in beautifully worn black finish and a piece of Australia music history.
Previously owned by none less than the amazing Harry Brus (Australian Crawl, Renee Gayer , Kevin Borich, Jimmy Barnes, Ross Wilson and many others) , this instrument has so many stories to tell and has been working hard but it’s still one of the nicest fender basses I have ever played.
Light as a feather due to the alder body and with the very rare and coveted Brazilian rosewood slab fretboard.
The original pickup is just pure magic and the neck is super comfortable and slim .
All parts on the bass are genuine beside the nut and frets which have been redone as they were to worn .
One of the best looking basses I have had the pleasure to own and play and a piece of Australian rock history
1964 Fender Precision Bass in Amazing Condition With OHSC
Here is the, the Holy Grail of Bass: the 1964 Fender Precision Bass.
This one is in unreal condition, making it a spectacular piece, either for players or collector.
All original down to the very last screw , comes with the rare original white tolex case, the 1964 leather strap and the original jack cable.
Original frets in amazing condition, action nice and low, all original electronic and solder joints untouched.
The pick guard shows no signs of shrinkage and the original bridge and pickup covers are still on.
Beside a mark on the side and a couple of tiny spots this bass is absolutely immaculate.
Here is your chance to own the rolls Royce of bass .
PRICE DROPPED – 1973 Fender JAZZ Bass in Original Natural finish With TOLEX Hard Case
Fender Jazz Bass made in 1973 in USA , with the fairly rare maple neck with ebony block inlays and binding.
All original beside a brass nut installed by a precious owner.
Neck is slim and super comfortable with a very low action and sustain for days.
Original case included and in great condition as well.
These early 70s JB are much more sought after than later ones because of the original 4 screw neckplate which is meant to add more sustain and stability to the instrument neck joint.
PRICE DROPPED – Rare Blue Fulltone BassDrive pedal – Serial 299
Original Fulltone Bassdrive from the first Run. These early ones have a blue casing like the FULLDRIVE , different knobs, a push pull comp cut instead of a switch and bass drive on a label instead of printed directly on the pedal. The pedal works flawless and has a few scratches on the outside. Serial number is #299.
3Leaf Audio PROTON MK4 ENVELOPE FILTER with original box
In great condition, still inside the original box, the Proton is considered the best bass envelope filter you can get these days. Handmade By Spencer Doren, Founder of 3Leaf Audio, the Proton is an optically controlled analog envelope filter. The circuit has been completely redesigned to offer better tone and a more musical response. It has a new detector circuit based on the one in the Chromatron, and the familiar control layout has a greatly expanded range that can get the classic 1970s filter sounds and well beyond. The new range switch allows for much deeper filter sweeps, and the reworked tone knob covers every soundscape from cocked wah to laser beams.
PRICE DROPPED – 1970S MUSITRONICS MUTRON BI-PHASE PHASER
The holy grail of phaser, from the 70s, in great condition and in perfectly working order. The unit is all original beside one replaced knob and a switch added at the back which act As a foot switch but it’s a lot easier to use and studio friendly (amazing mod in my opinion). the sound is just phenomenal, so it’s the look. it’s also from the earlier version with light blue graphic , which makes it even rarer.
PRCE DROPPED – 1977 GIBSON THUNDERBIRD BICENTENNIAL BASS IN SUNBURST FINISH WITH ORIGINAL CASE
1968 Fender Precision Bass in Rare Candy Apple Custom Finish With Original Hard Case
Absolutely stunning and very rare custom candy Apple Red finish for this 58 years old Fender Precision bass. Light and resonant , with a sublime neck profile and the perfect Pbass tone, this bass is just a work of art. Nitro finish, Brazilian Rosewood fretboard and black bobbins pickups ( all features from the early preCBS days, but 68 was a transition year at Fender and they used all the leftovers, making some of the best instruments ever made). Let’s not forget those gracious and rare Oval tuners aka Lollipop or Paddle, which were only available on the early 1968 Pbasses. Beside a new nut and a replaced screw on one of tuners, this instrument is completely original, with untouched solder joints, both covers still on and comes inside the original Stamford case. One for players and collectors, super rare and a superb player. Partial trade always welcome
3Leaf Audio DOOM2 harmonic Fuzz with original box
One of the most sought after Bass Fuzz ever and for a good reason, it’s simply amazing. DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics. Featuring a new addition to the circuit which implements an octavia-style ring-mod (YOU’RE) The other addition is a full-fledge low-end loving fuzz which resembles a more traditional fuzz (YOUR). Handmade in USA. Comes with original Box and Manual
PRICE DROPPED – STONEFIELD CLASSIC I M1-4C BASS – NATURAL FINISH – WITH ORIGINAL GIGBAG
A very rare bass , completely hand made in New Zealand by the genius of Tomm Stanley . They are made using a very unique design and locally sourced timber. Comes with the original branded gig bag Here is a full description from the Stonefield website Topwood: Cypress Fingerboard: Solomon Island Ebony Fingerboard Markers: Burghundy within White Gem Dots Fingerboard Radius: Zero Hardware: Titanium/blue Binding: – fine line: Australian Blackwood Sap – thick edge: Jarrah Nut: Jarrah Back of Neck Finish: Natural An M Series with a twist; This one was built to a unique set of specifications and is one of only two basses we’ve ever built with a zero-radius fingerboard and a centre veneer on the front covering the laminates of the through-body core. It has also been sprayed in a matte satin clear and has a Funk Plate and Ramp, both veneered in tiger myrtle to match the jarrah binding and bridge. String Spacing: Classic (approx 19mm between strings at the bridge) Due to the low serial number, a unique build and the addition of customer requested mods, this bass has true potential for collectibility. A few notes: This is only the second bass we’ve made with a zero radius fingerboard. Note the cypress veneer over the laminates in the centre of the body. This is only the second instrument on which we’ve veneered over the laminates. In addition to the Funk Plate a ramp has been added between the rear pickup and bridge. This is the first bass on which we’ve ever installed a ramp. Both the Funk Plate and the ramp have been surfaced with Tasmainian tiger myrtle. For greater durability the top has been sprayed in a satin matte lacquer over the original hand rubbed oil.

































