PRCE DROPPED – 1977 GIBSON THUNDERBIRD BICENTENNIAL BASS IN SUNBURST FINISH WITH ORIGINAL CASE

Super hard to find one of these , let alone in these condition and in Australia.

All original and with the original hard case, this bass is by many considered the best acoustic bass ever produced. Extremely rare as only a few hundreds of these have been made in the US between 1975 and 1987.

here is some specs The B-50 features a solid spruce top, mahogany sides and back, a mahogany neck, a rosewood fingerboard, and a rosewood bridge.

Country of Manufacture: USA

Case: Original hard case

Weight: 3.58 kg

String Height (Low String Side): 3.4 mm at the 12th fret String

Action (treble side): 2.5 mm at the 12th fret

Nut width: 41.4 mm

Neck Thickness (near the 1st fret): 22.2 mm

Scale: 780 mm (30.7″)

RADIUS: 305 mm (12″)

One of the nicest example from the first generation of the Fender Precision Bass. With a graciously aged butterscotch finish, it’s just perfection and plays beautifully as you would expect from one of these 51-54 Pbasses. Detlef Schmidt is the author of what’s considered the most accurate book about the first generation of the Precision Bass, he collected as many serial numbers as he could and this one is featured on his list. The neck has a great patina with the classic finish wear at the back, which is common to these early 40s and 50s Fender instruments. Flat head screw on tuners, neckplate and pick guard as supposed for these. Original covers still there and came with a tweed case that looks like may have been externally modified but looks all original inside, although is hard to confirm. Bass is completely original, with pots perfectly working as well as the black bobbin pickup and the original paper capacitor. It came in with a reissue pickup but the original 1954 black bobbin (which sounds amazing) was inside the tweed case and is now back with the bass and rest of the wiring is untouched. The finish has a gorgeous checking and looks like they patched a couple of extra screws holes (possibly a thumb rest) but they are barely noticeable. Bass is very light and resonant with an incredible sustain due to the string through the body. The pencil dates are unfortunately not legible anymore but the serial of this bass is present on the bridge and can be found on Detlef Schmidt’s book. These early models are becoming incredibly hard to come by and this one is a great example.