| Brand | rickenbacker |
|---|---|
| Model | 4001 |
| Finish | jetglo |
| Made In | US |
| Year | 1973 |
| Body Material | maple |
| Condition | Excellent (Used) |
| Neck Material | Maple |
| Fretboard Material | Rosewood |
| Pickup Configuration | Single Coil |
| Pickup System | Passive |
| Number of Strings | 4-String |
1973 RICKENBACKER 4001 BASS IN JETGLO FINISH WITH ORIGINAL HARD CASE
$8,500.00
Superb example of early 70s rickenbacker , all original and with rare toaster pickup, checkerboard binding and long triangle inlays,
Complete with original black tolex hard case, this instrument is the quintessential Ricky, and a rare one too.
Light weight , low action, thunderous tone and in incredible condition, especially considering this beauty is 53 years old.
Some filled holes behind the headstock indicating it had different tuners at some point but the original ones are back on it and they are perfectly functional.
A phenomenal player and great collector piece.
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1963 Fender Precision Bass in Sunburst Finish With Fender Hard Case – PRE CBS
Here is the, the Holy Grail of Bass: a stunning 1963 Fender Precision Bass.
This one is in great condition, with a spectacular tone and feel , great for players or any collector.
All hardware and electronic is completely original , with the legendary black bobbin pickups and pots dated 49th week of 1963.
The bass has been in restored by the one and only Jeff Mallia, who put new frets , touched up and polished the original finish and oiled the back of the neck to give it a smoother feel.
The original tort pickguard is absolutely stunning and the original bridge and pickup covers are still on.
The neck profile is amongst the best I have experienced and the bass is light as a feather.
Here is your chance to own the rolls Royce of bass .
Comes with a newer fender Hard Case.
1968 RICKENBACKER 4001 BASS IN FIREGLO FINISH WITH ORIGINAL HARD CASE
Absurdly rare, these 60s rickenbacker 4001 basses are some of the most sought after instruments on the planet , and for a good reason.
Completely unmolested and inside the original case, this bass is something else.
Crushed pearl inlays, checkerboard binding , toaster pickup, horseshoe pickup, mono jack input , bigger headstock , reversed kluson tuners.
All features only available through the 60s and discontinued the following decade when production ramped up.
Apparently only 83 fireglo 68 4001 were produced and this is a perfect example of the craftmanship and attention to details of those days.
Phenomenal tone, great weight and really nice neck profile.
The original case has seen better days and has been over sprayed but it’s still there and that’s all it matters.
Partial trade alway welcome
2010 FENDER CUSTOM SHOP JASON SMITH MASTERBUILT – 1 OF 1 – RARE DESERT SUNSET FINISH – WITH ORIGINAL CASE AND CANDY
Crafted by one of the best Fender Builder himself , this 2010 Fender Jazz Bass custom shop master built is absolutely divine.
The Masterbuilt line, Fender Custom Shop’s top tier series, features special instruments crafted under the personal supervision of a select group of highly skilled “Master Builders” from the Custom Shop, who take full responsibility for every step of the process, from wood selection to final adjustments.
This instrument is a Jazz Bass crafted by Master Builder Jason Smith.
Having studied under the legendary Master Builder John English and been involved in the creation of numerous artist models, Jason Smith is known as a builder who enjoys the deep trust of many top bassists, including Flea and Steve Harris.
Built in 2010, this instrument features a very light ash body, a gorgeous rosewood fingerboard with pearl block inlays , while incorporating modern features like string through and 5 screw neck plate, resulting in the unique specifications characteristic of a Master-Built instrument.
The use of a Fender string through bridge and lightweight tuning pegs achieves excellent body balance and a modern look.
Super comfortable neck profile, providing a solid, comfortable grip.
It has a perfect midrange presence and a mellow tone, yet it’s by no means a dark sound, instead it offers a well-defined, lively tone.
The sustain is incredibly pleasing.
The Masterbuilt sound is a cut above the regular line.
SPECS:
BODY: Ash NECK: Quartersawn Maple
FINGERBOARD: Rosewood
FINISH: Desert Sunset
P.U.: Custom Shop
CONTROL: 2 Volume / 1 Tone
WEIGHT: 3.9 kg
SCALE: 34”
NUT WIDTH: 38 mm
w/ Hard Case, COA
All Original and in amazing condition, comes with the original case and paperwork.
I have never seen another one like this.
1961 Fender Precision Bass – Aussie Crawl, Renee Gayer, Jimmy Barnes , Ross Wilson, Kevin Borich
PRICE DROPPED – STONEFIELD CLASSIC I M1-4C BASS – NATURAL FINISH – WITH ORIGINAL GIGBAG
A very rare bass , completely hand made in New Zealand by the genius of Tomm Stanley . They are made using a very unique design and locally sourced timber. Comes with the original branded gig bag Here is a full description from the Stonefield website Topwood: Cypress Fingerboard: Solomon Island Ebony Fingerboard Markers: Burghundy within White Gem Dots Fingerboard Radius: Zero Hardware: Titanium/blue Binding: – fine line: Australian Blackwood Sap – thick edge: Jarrah Nut: Jarrah Back of Neck Finish: Natural An M Series with a twist; This one was built to a unique set of specifications and is one of only two basses we’ve ever built with a zero-radius fingerboard and a centre veneer on the front covering the laminates of the through-body core. It has also been sprayed in a matte satin clear and has a Funk Plate and Ramp, both veneered in tiger myrtle to match the jarrah binding and bridge. String Spacing: Classic (approx 19mm between strings at the bridge) Due to the low serial number, a unique build and the addition of customer requested mods, this bass has true potential for collectibility. A few notes: This is only the second bass we’ve made with a zero radius fingerboard. Note the cypress veneer over the laminates in the centre of the body. This is only the second instrument on which we’ve veneered over the laminates. In addition to the Funk Plate a ramp has been added between the rear pickup and bridge. This is the first bass on which we’ve ever installed a ramp. Both the Funk Plate and the ramp have been surfaced with Tasmainian tiger myrtle. For greater durability the top has been sprayed in a satin matte lacquer over the original hand rubbed oil.
STONEFIELD M SERIES CUSTOM FRETLESS BASS – HANDMADE IN NZ
The M Series handmade bass guitars are where it all started for Stonefield® and they are now our highest spec’d instruments. Handcrafted in our New Zealand workshop, an M Series build begins by incorporating marine and aircraft grade laminates into a remarkably light weight yet very strong through-body core with a 34-inch scale length. From that point on, the array of woods and custom options are vast for M Series basses. Three-piece wooden bindings grace all M Series fingerboards, the bodies are created from a core of Fijian salusalu and an amazing array of topwood choices and a hand rubbed oil finish turns these boutique bass guitars into works of art. State of the art passive electronics with High, Mid and PRESENCE controls (all that control, no batteries required), floating wooden bridges and the remarkable Tomm Stanley™ Tuning System are all standard features on and M Series bass.
1981 KEN SMITH BT4 STRING BASS – FROM THE FODERA ERA – 1 OF THE FIRST 100 EVER MADE
Vintage 1981 Ken Smith BT4 – True “Fodera Era” Build w/ Medallion & Bill Lawrence
This is not just a Ken Smith bass, it is a foundational document of the modern electric bass. This BT4 (Body Top) model from 1981 bears the extraordinarily low Serial #074, placing it among the very first instruments ever produced by Ken Smith.
The Fodera / New York Luthiery Connection
This bass was handcrafted during the crucial period when legendary luthier Vinnie Fodera worked directly with Ken Smith in New York.
To own this BT4 #074 is like to acquire the heritage and craftsmanship of the “Genesis” of boutique basses.
It features the coveted metal medallion on the headstock, the definitive mark of early production excellence.
If you are looking for that thick, percussive “growl” that catapulted Ken Smith to global fame, this is it.
The combination of early-80s woods and original Bill Lawrence pickups produces an aggressive, punchy tone that is dominant on stage and crystal clear in the studio.
Note on Electronics:
The original HAZ preamp received professional maintenance a few years ago and is in perfect working order, delivering the signature high-fidelity Smith sound without issues.
FEATURES AND SPECIFICATIONS
Model: BT4 (Body Top)
Year: 1981
Serial Number: #074 (Extreme rarity)
Pickups: Original Bill Lawrence active pickups.
Bridge: Badass II high-mass bridge for legendary sustain.
Tuners: Original Schaller factory tuners.
Electronics: Original HAZ preamp (Maintained & Fully Functional).
Case: Includes a Hiscox hardcase.
As expected from a 45 year old instrument, it features a beautiful natural “relic” patina and has been used but not abused.
Nearly 100% original (woods, pickups, bridge, and neck).
As is common with vintage Smiths, one switch has been replaced to ensure reliable performance.
Playability: Straight neck, functional truss rod, and comfortable low action.
1992 MUSICMAN STINGRAY BASS IN AMAZING CONDITION WITH ORIGINAL CASE
1976 Fender Precision Bass in Sunburst finish With Original Case
PRICE REDUCED – 1968 Fender Precision Bass in Rare Candy Apple Custom Finish With Original Hard Case
Absolutely stunning and very rare custom candy Apple Red finish for this 58 years old Fender Precision bass. Light and resonant , with a sublime neck profile and the perfect Pbass tone, this bass is just a work of art. Nitro finish, Brazilian Rosewood fretboard and black bobbins pickups ( all features from the early preCBS days, but 68 was a transition year at Fender and they used all the leftovers, making some of the best instruments ever made). Let’s not forget those gracious and rare Oval tuners aka Lollipop or Paddle, which were only available on the early 1968 Pbasses. Beside a new nut and a replaced screw on one of tuners, this instrument is completely original, with untouched solder joints, both covers still on and comes inside the original Stamford case. One for players and collectors, super rare and a superb player. Partial trade always welcome
1979 MUSICMAN STINGRAY BASS – FRETLESS – WITH ORIGINAL CASE – LIKE PINO PALLADINO
Possibly the rarest and most iconic version of the musicman Stingray, completely original and with case, original strap and catalogue, this bass is not just just a rarity, but one of the most iconic bass guitars of all times. Just like the one Pino Palladino used in the 80s with Paul Young, this 1979 original fretless musicman Stingray comes from my personal collection and will be listed only for a limited time so if you are interested, don’t hesitate to contact me. I have owned this beauty for a few years now and I have looked after it, servicing it regularly and oiling the fretboard to make sure it stays nice and dark. The body is unreal with one of the nicest timber figuring I have seen on one of these pre Ernie ball basses. The Musicman black strap is extremely rare as well and so is the catalogue inside the original black tolex case. There is also a musicman brass buckle from 1978 inside the case. Ernie Ball has made a reissue of these which I have tried and let me tell you, it’s not quite the same. Regretful sale but I have just purchased an expensive bass and something has to go, although if I sell something else in the meantime I will take the listing down and put this gem back in my collection.
1963 Fender Jazz Bass in Sunburst finish – Pre CBS – With Original Case
From the 4th year of production, this 61 years old Fender Jazz Bass is just perfection. Great weight, amazing tone, super comfortable neck profile, coveted Brazilian rosewood fretboard and a stunning 3 tone sunburst finish, all topped by the original rare cream tolex hard case, which was only made for less than a year. The alder body is resonant and light, finished in a beautiful 3 colour sunburst where the red hasn’t faded and still nice and vibrant. The pickguard doesn’t have cracks or the common snapped horns and doesn’t show signs of shrinking. The original 1963 pots work without scratches and the black bobbin pickups sounds delightful. Straight neck with a fully functional trussrod and a nice and smooth profile , so comfortable to play. Pickups covers in great condition as the rest of the original hardware. One for players and collectors.











































