1977 MUSICMAN STINGRAY BASS IN NATURAL FINISH – ALL ORIGINAL WITH CASE
price dropped – 1983 WARWICK STREAMER STAGE I BASS – SERIAL 103 -3.5 KG
A real gem and a must have for any Warwick enthusiast, this 41 years old Streamer is one of the early “paddle headstock” ones with the original design, before the german company change the look of it after having issues with Stuart Spector. Only the first 300 streamer made came out with the paddle headstock and after the first 150, Warwick added ”licensed by Spector” on the trussrod cover to avoid issues with the American Brand. The serial number on this one is 103, and has a phenomenal neck and weight (3.5kg), making it super comfortable to play and the original EMG pickups have a growl that would make the crowd rattle their teeth.
STONEFIELD CLASSIC I M1-4C BASS – NATURAL FINISH – WITH ORIGINAL GIGBAG
A very rare bass , completely hand made in New Zealand by the genius of Tomm Stanley . They are made using a very unique design and locally sourced timber. Comes with the original branded gig bag Here is a full description from the Stonefield website Topwood: Cypress Fingerboard: Solomon Island Ebony Fingerboard Markers: Burghundy within White Gem Dots Fingerboard Radius: Zero Hardware: Titanium/blue Binding: – fine line: Australian Blackwood Sap – thick edge: Jarrah Nut: Jarrah Back of Neck Finish: Natural An M Series with a twist; This one was built to a unique set of specifications and is one of only two basses we’ve ever built with a zero-radius fingerboard and a centre veneer on the front covering the laminates of the through-body core. It has also been sprayed in a matte satin clear and has a Funk Plate and Ramp, both veneered in tiger myrtle to match the jarrah binding and bridge. String Spacing: Classic (approx 19mm between strings at the bridge) Due to the low serial number, a unique build and the addition of customer requested mods, this bass has true potential for collectibility. A few notes: This is only the second bass we’ve made with a zero radius fingerboard. Note the cypress veneer over the laminates in the centre of the body. This is only the second instrument on which we’ve veneered over the laminates. In addition to the Funk Plate a ramp has been added between the rear pickup and bridge. This is the first bass on which we’ve ever installed a ramp. Both the Funk Plate and the ramp have been surfaced with Tasmainian tiger myrtle. For greater durability the top has been sprayed in a satin matte lacquer over the original hand rubbed oil.





